Hermod: A Glimpse into Norse Mythology
Hermod, pronounced as “HAIR-mode” and originating from Old Norse Hermóðr, occupies a minor yet intriguing role in Norse mythology. The precise meaning of his name remains somewhat ambiguous; it is believed to either derive from hermaðr, translating to “warrior,” or signify “fury of war,” comprising the elements herr (“army”) and móðr (“excitement, wrath, passion”).
The most notable narrative involving Hermod can be found within the Prose Edda, courtesy of the medieval Icelander, Snorri Sturluson. The tale depicts Hermod’s fateful journey to the underworld on Odin’s steed, Sleipnir. In this realm, he beseeches Hel, the goddess of death, to restore his brother Baldur back to the land of the living—though his efforts are in vain. For those seeking further context regarding Baldur’s demise, supplementary details are available.
Despite Snorri’s account being largely unverified by external evidence, it is essential to approach his claims with skepticism, as their veracity can be questioned. However, it is likely that he drew from now-lost sources to create his narrative about Baldur’s death and Hermod’s underworld expedition. The depth and richness of Snorri’s description lend credence to the idea that it is far too detailed to have emerged solely from his imagination. Moreover, Hermod’s journey aligns closely with other underworld travel narratives found within Old Norse literature, reinforcing its authenticity as part of that literary tradition.
Hermod makes intermittent appearances in various Germanic literary works. For instance, in the poem Hyndluljóð from the Poetic Edda, there is a portion that honors Odin, depicting him as gifting Hermod and the mortal hero Sigmund with weapons and armor. In this instance, Hermod is portrayed more as a human hero rather than a divine entity, a contrast to Snorri’s portrayal.
Additionally, in the skaldic poem Hákonarmál, Hermod and a potential figure named “Bragi” are depicted welcoming fallen warriors into Valhalla. The identity of Bragi remains uncertain—whether he refers to the deity or the famed human poet Bragi Boddason—casting ambiguity on whether Hermod is characterized as a god or a mere hero in this context.
Interestingly, Old English genealogies sometimes list a Heremod as a descendant of Wodan (Odin), with the Old English epic Beowulf referencing a king named Heremod who faced lengthy and arduous journeys during his exile. This could hint at a thematic connection to Hermod’s own narrative.
Given Hermod’s ties to themes of warfare and shamanism—his transitions between realms suggestive of Norse pagan shamanic practices—it is tempting to view him as an extension of Odin himself, in various respects indistinct from the god. Old Norse literature frequently showcases similar figures who serve as extensions or incarnations of Odin.
While this line of reasoning raises further inquiries, the scant references to Hermod across primary texts limit our knowledge. It’s conceivable that Hermod could have been considered either a human hero or semidivine being in certain traditions, or perhaps the later conception refers to a separate entity sharing the same name. Ultimately, the strongest bond remains with Odin, as they share significant traits and actions, marking the connection as one of the few certainties concerning Hermod.
For those interested in delving deeper into the fascinating realm of Norse mythology and religion, a wealth of resources awaits exploration.
